BridgeText 1

 

 
BridgeText is a publishing venture I started several years ago. The initial idea was to promote the concept of the screenplay-novel, a hybrid form that itself can take many forms.


In this video, I describe some of the ideas I originally had.


Unlike a few other writers who’d dabbled with similar concepts, the screenplay novel, as I envisaged it, had to work both as a conventional novel and as a graphic narrative.

In early experiments, I used both photos and drawings.






Increasingly, the projects have moved in the direction of moviepoems and moviestories.


(More to follow)


Comments

Post a Comment

Popular posts from this blog

The Highly Illustrated Screenplay Novel

Image
  A few years ago, Tom Dooley, editor of the online literary magazine Eclectica, was kind enough to publish one of my novels, a historical work entitled The Business Army. It’s about an attempt to engineer a fascist takeover in America. It’s based on fact. I’m reworking the project, since it’s become more timely than ever. The novel exists in two versions: as a conventional text only work, and as a new kind of hybrid graphic novel I call the illustrated screenplay novel. To read the conventional version, go here: https://www.eclectica.org/v23n2/harvor.html (Note: I have other unpublished fiction mss., including a historical novel about Juno Beach.) * Pitch: Economic injustice is everywhere. The wealthy have too much, the poor too little. Unemployment is massive, and political violence is on the rise. In the midst of all this, powerful elites decide that the sitting president is too feeble to govern and democracy itself is "a problem". * OUTLINE – THE BUSINESS ARMY Below are t
Read more

The Business Army, pt 1

Image
   Occasionally I post a link to a historical novel I had published at Eclectica Magazine: https://www.eclectica.org/v23n2/harvor.html It’s entitled The Business Army, and it’s about a historically documented attempt to organize a coup d’état in the United States during the early months of Franklin Roosevelt’s presidency. The novel exists in two forms: as a conventional manuscript and as a form of graphic novel I call the Highly Illustrated Screenplay Narrative (a mouthful, I know; I might rework the term). I’ve decided to post a lot of the latter form of the novel. Graphic novels tend to be expanded comic books (I wrote/drew one many years ago, and know the degree of labour involved). Conventional novels, on the other hand, tend to be devoid of art, and also tend to hew to a rather  traditional concept of how narrative should be produced. Yet at the same time, our mass culture has become acutely influenced by the feature film as a vehicle of narrative. We — including literary writers
Read more